| INTER MEDIUM orfeus07 |
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| Material-based approach |
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Media laboratory INTER MEDIUM orfeus07
VIRUS ORFEUS: theses, critique, agitation, subversion,
review chiffres, references, points of reference, contentwise determination:
media laboratory INTER MEDIUM orfeus07
The underlying concept of INTER MEDIUM orfeus07 lies in creating a direct link to the subject matter of ORFEO-Opheus and
placing it at the very beginning of the process. Only a second step in the development moves away from the original subject
matter. This further development begins at exactly that point at which a creative engagement with current subject matters
necessitates an intermedial approach to conceptualisation as well as active practice.
Due to the predetermined subject matter on the one hand and the applied (+) cross-mapping on the other, overcome terminologies
expressed in classifying terms such as "piece, headlining, (art) work, (artistic) product, the closed form" necessarily take a back
seat. Six "inventions" (including 2 recital-cycles) form fixed markers, which are to set in motion the media laboratory
INTER MEDIUM orfeus07, and further maintain its momentum as a work in progress.The material is also a medium in itself.
The (final) product as well as its "Aura"(+) are defined through differentiations of the possibilities for application.
The conceptual approach is defined mainly through the quality and density of the intermedial strategies of the projects.
(Eberhard Kloke)
Theme point of departure ORFEO 1607-2007
I: Motto: La Musica
II: Orpheus 1: recollection
III: Orpheus 2: farewell
IV a+b: Orpheus 3: the journey
V: Orpheus 4: lament
VI: Orpheus und Eurydike: turning and looking
VII: Orpheus 5: hopelessness and vision
The central interface in the media laboratory of Markus Wintersberger and Eberhard Kloke is the Inter Medium orfeus07.
texts:
1 Kerényi, Karl Orpheus und Eurydike, in: Die Mythologie der Griechen Band II: Die Heroengeschichten dtv, 1992 ©1960
2 Metzger, Heinz-Klaus, Riehn, Rainer (Hg.) Claudio Monteverdi Um die Geburt der OperMusik-konzepte 88, edition text+kritik,
München 1995,darin: Fred van der Kooij/ Rainer Riehn Orfeo oder die Ohnmacht der Musik
3 Theweleit, Klaus heiner müller. traumtext (1995) Verlag Stroemfeld/Roter Stern, Basel 1996
4 Foucault, Michel Die Großzügigkeit des Spiegels, in: Botschaften der Macht. Diskurs und Medien. DVA, Stuttgart 1999
5 Arnold, Heinz Ludwig (Hg.) TEXT + KRITIK Sonderband Theater fürs 21. JahrhundertRichard Boorberg Verlag, München 2004,
darin: Albert Ostermaier Von der Gegenwart des Möglichen
6 Fischer-Lichte/Risi, Clemens/Roselt, Jens (Hg.) Kunst der Aufführung Aufführung der Kunst. Theater der Zeit. RECHERCHEN
18. 2004, darin: Dorothea von Hantelmann HOW TO DO THINGS WITH ART
7 Tröhler, Margrit (Hg.) Kinogefühle Emotionalität und Film. Zürcher Filmstudien 12 Schüren Verlag, Marburg 2005,
darin: Thomas Christen Happy Endings
8 Rebentisch, Juliane Ortsspezifik, in: Ästhetik der Installation Suhrkamp Verlag, Frankfurt 2003
9 Claudio Monteverdi, Orfeo – Christoph Willibald Gluck, Orpheus und EurydikeTexte. Materialien. Kommentare. Herausgeber:
Attila Csampai und Dietmar Holland, Rororo-Ricordi, München-Hamburg 1988, darin: Dietmar Holland Orfeo – Inhalt der Oper,
Nikolaus Harnoncourt Zur Aufführung der < Favola d’Orfeo > von Monteverdi, Alessandro Striggio d. J. L’Orfeo (Libretto)
10 Andruchowytsch, Juri Orpheus Illegal. Düsseldorfer Schauspielhaus, UA: 16.9.2005
11 Strauß, Botho Hüte-die-Fährte, in: Das Partikular. Hanser, München-Wien 2000
12 Timm, Uwe Der Freund und der Fremde Eine Erzählung. Verlag Kiepenheuer und Witsch, Köln 2005
13 Wondratschek, Wolf No se puede vivir sin amar, in: Orpheus in der Sonne Gedichte. Edition Akzente Hanser,
München-Wien 2003 |
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